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Chrome-bevel sheet on grid paper — specs and return notes filed under the bay.
took the skeletal bones of their electronic sound then set about supplementing it with intricate melodies and unrelenting lock-grooves to create a sound that has its DNA riddled throughout contemporary music's splintered soul
Through his output both as an artist and through his eclectic Dekorder label
It’s sobering to fathom that this album was made in another century 15 years ago
They’d make up melodies together
and mix the album
MICHAEL OOSTEN - same LP Folk Rock took the skeletal bones ofKeeping a band together was difficult in the late 1960s. Tough too, because Michael Oosten was writing songs that veered away from pop song structures. There was also the relative ease and lack of responsibility required for hauling around a guitar. So, Oosten took off, with a Martin guitar in tow, playing coffeehouses and clubs across the country. By the end of 1973, he was ready to record an LPfive psychedelic folk rock tracks, ranging from the